Director: )[99], Upon the network's launch, Cinemax offered theatrical films from Columbia Pictures, under a four-year exclusive deal with HBO signed in June 1976 for a package of 20 films released between January 1977 and January 1981, in exchange for then-parent company Time, Inc. committing a $5-million production financing investment with Columbia over a period of between 12 and 18 months. Fantasy, Horror, Thriller. (Summit is currently the only "mini-major" movie studio and the only studio not among the five core majors that maintains an exclusive output deal with HBO. Whitney Hoy, Kevin Yon, R Director: )[9][10] On January 1, 1981, Cinemax began offering a full 168-hour weekly schedule (except for occasional interruptions for scheduled early-morning technical maintenance), adding programming full-time from 6:00 a.m. to 1:00 p.m. ET/PT. On September 13, 2010, Cinemax launched Max Go, a website which features more than 700 hours of content available for streaming in standard or high definition, at no additional charge to Cinemax subscribers. Third logo, used from 1997 to 2008; used as a secondary logo from 2008 to 2010. Karel Roden, Derek Babb, Peter McAllum, | [109][110][111], In September 1986, HBO/Cinemax signed a five-year agreement with MGM/UA Communications Co. for a package of up to 72 Metro-Goldwyn-Mayer and United Artists films. It is accessible through play.maxgo.com, and was previously available through apps for Apple iOS and Apple TV devices; Android devices and Android TV; Amazon Fire TV; Chromecast; PlayStation consoles (PlayStation 3 and PlayStation 4); Xbox One consoles; Roku devices; and most Samsung Smart TV models. | Horror, Thriller. [131] and New City Releasing (non-exclusive, 1994–2000). | | Brooke Anne Smith, (The typical pricing for a monthly subscription to HBO in the early 1980s was US$12.95 per month, while Cinemax typically could be added for between US$7 and $10 extra per month.) Karina, 105 min 22,548 Kevin Hamedani [19], The adult programming featured on Max After Dark was not limited solely to the main Cinemax channel: MoreMax also aired softcore pornographic films and series, sometimes airing earlier (10:30 p.m. Eastern Time at the earliest) than the main Cinemax channel would allow; ActionMax, ThrillerMax and OuterMax also featured adult films on their late night schedules, even though the softcore adult films and series did not necessarily fit the respective formats of these multiplex services. [84][93][85] The first-run film output agreement with Fox was renewed by HBO/Cinemax for ten years on August 15, 2012 (with a provision allowing the studio to release its films through digital platforms such as iTunes and Amazon Video during the channel's term of license of an acquired film for the first time). Horror. Nathan Phillips, | Brian Pulido | Rider Strong, Drama, Horror, Thriller. Enzo Cilenti, When I was a kid, I used to love the Friday Night After Dark movies on Showtime and Cinemax. As additional movie-oriented channels launched on cable television, Cinemax began to change its programming philosophy in order to maintain its subscriber base. Films to which HBO maintains traditional telecast and streaming rights will usually also be shown on the Cinemax television and streaming platforms during their licensing agreement period (either after a film title completes its HBO window or transfers between services over certain months during the contractual period). | 99 to rent. R Monica Percich, | Justin Arnold, R 102 min | Because of the block's presence, Cinemax was most commonly given the jocular nickname, "Skinemax". Don Fanelli, MovieMax broadcasts films aimed at young adults between the ages of 18 and 34 years old (the format of the pre-relaunch @Max); it was previously formatted as a family-oriented service from June 2013 to January 2015. Rachel Miner, | Director: | | (Cinemax 3's launch coincided with the launch of Mountain Time Zone feeds of HBO, HBO2, Cinemax and Cinemax 2, which were the first subfeeds ever offered by a subscription television service to specifically serve that time zone. Stacy Title Comedy, Horror. Elizabeth Rice, | Adam Rayner. | Jarrett King, Within a few cities, the Re-Animates have been segregated into "zones" and are policed by the R-Division of the QUASI S.W.A.T. 3 . Marisa Petroro, R Brett Simmons The institute she lands in is very high-end and was once a castle or chateaux somewhere in Europe. From 1992 to 1997, Cinemax aired daily movie showcases in set timeslots, centering on a certain genre which differed each day of the week; with the introduction of a new on-air presentation package in 1993, the genre of a given showcase was represented by various pictograms that usually appeared within a specialized feature presentation bumper before the start of the movie;[19] the symbols included: "Comedy" (represented by an abstract face made up of various movie props, with an open mouth made to appear like it is laughing),[20] "Suspense" (represented by a running man silhouette within a jagged film strip), "Premiere" (represented by an exclamation mark immersed in spotlights), "Horror" (represented by a skull augmented with a devil horn and a gear-shaped eye, overlaid in front on a casket), "Drama" (represented by abstract comedy and tragedy masks),[21] "Vanguard" (represented by a globe overlaid on a film strip), "Action" (represented by a machine gun and an explosion) and "Classic" (represented by a classic movie-era couple embracing and kissing). 5,835 Directors: Alex Orwell Patrick Renna, | Biondi's replacement, Michael J. Fuchs, structured some of the subsequent deals as non-exclusive to allow HBO to divert more funding toward co-producing made-for-cable movies, other original programming and theatrical joint ventures (via Tri-Star and Silver Screen Partners). 94 min Max Latino – which dropped its distinct branding and was renamed Cinemáx on April 1, 2015 – mirrors the schedule of the flagship Cinemax channel (similar to the format of HBO Latino, which simulcasts most of the HBO schedule except for certain differing programs), featuring Spanish-language dubs of feature films and original series broadcast by the main channel. With her husband's consent, she … Pål Øie Director: [139] The network itself had acknowledged this by using a play on this term for its 2011 documentary series, Skin to the Max.
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